Bob Dylan And The Band - The Basement Tapes
(Numbered 180G Vinyl 2LP)
Track List
Bob DylanThe Basement Tapeson Numbered Edition 180g 2LP from Mobile Fidelity
Recorded in Basement of Big Pink with The Band:Ranked 291 onRolling Stone’s List of the 500 Greatest Albums of All Time
Audiophile Sound at Last: Sonic Subtleties, Loose Interplay, Organic Spirit, Warm Textures Presented Like Never Before on Definitive Mobile Fidelity Reissue
Dylan at His Most Humorous, Unguarded, Loose: Folk Tales, Weird Narratives, Rock Ballads, Inside Jokes, Allusions Pepper Alchemic Material
Basements have long been associated with raw, off-the-cuff rock n’ roll, the damp and dark spaces serving as the woodshedding venues for countless bands. Yet no basement is more famous, and none yielded music as familiarly weird, wholesomely American, joyously loose, and identifiably humorous as that in the upstate New York house dubbedBig Pink&mdashthe location where, during the summer and early fall of 1967,Bob Dylan and The Bandplayed a vivid tapestry of covers, originals, and traditionals that signaled the advent of Americana. Once again, the Bard changed the world.
As part of itsBob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analog edition ofThe Basement Tapesever produced&mdashand the first-ever analog reissue. Inimitable, the particulars ofThe Basement Tapes&mdashespecially, the gather-‘round-in-a-huddle assembly of the instrumentalists, home-made character, domestic vibe, and low-volume nature of the recordings&mdashcome to fore here in a manner that takes the listener down the stairs at 2188 Stoll Road and brings the images of Dylan, Rick Danko, Robbie Robertson, and Co. to life.
Fresh off experiencing a motorcycle accident and the wrath of audiences hostile to his embrace of amplified music,Dylanelected to retreat to the comforts of rural and family life. He soon began collaborating with members of theBandin his house, ultimately moving the sessions toBig Pink. Informal, peaceful, relaxed, open-minded: The collaborations blanket country stomps, roots hootenannies, forgotten spirituals, earthy originals, chaotic marches, dreamscapes, dance tunes, folk laments, catch-as-you-can improvisations. OnTheBasement Tapes, mythical ghosts and dead legends reappear, reveling in the absurdity, comedy, mystery, aura, and alchemy.
InInvisible Republic, his scintillating book about the sessions, cultural criticGreil Marcusstates: “At a time when the country was tearing itself apart in a war at home over a war abroad, the music was funny and comforting; it was also strange, and somehow incomplete. Out of some odd displacement of art and time, the music seemed both transparent and inexplicable when it was first heard, and it still does.” Indeed,The Basement Tapesappear to emanate from an indefinable chasm between modern and ancient, self-evident and mysterious, shapeless and fully formed, abstract and concrete, histories unwritten and chronicled. But every note chimes with freeness&mdasha liberating fun, humble simplicity, and bond-creating camaraderie felt in every hoot, holler, laugh, and false start.
The Basement Tapes’ capacity to remain so gloriously honest and timeless&mdashperformances that genuinely could’ve been made today, ten years from now, or back in the 1930s&mdashhelps account for their emotional resonance and unsurpassed reputation as a snapshot of how unencumbered American music, and art with deep historical roots and connective cultural tissues, is supposed to sound.
Mobile Fidelity’s reissue squares away the late-night bleariness, jovial atmosphere, low-ceiling dimensions, and ensemble-based perspective of the sessions, allowing the listener to become Hamlet, the dog who slept nearbyDylan, Robertson, and Co.as it all went down. This is not to be missed.